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Home » Blog » Best Canadian Music 2026: Top Albums Of The Year So Far
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Best Canadian Music 2026: Top Albums Of The Year So Far

Last updated: June 29, 2026 11:29 pm
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Published: June 29, 2026
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Best Canadian Music 2026

As we cross the halfway mark of 2026, one thing remains abundantly clear: Canadian musicians are showing no signs of slowing down on delivering projects with genuine staying power.

Contents
10. RUSSELL!, FLOWERS9. TRAPMAT SAVIOR & Nicholas Craven, Scottie Trippin8. Chxrry – U, Me & My Ego7. Baby Nova, Shhugar6. Drake, ICEMAN5. Charlotte Day Wilson, Patchwork4. Aquakulture, 17833. Jessie Reyez, A LITTLE VENGEANCE2. Drake, MAID OF HONOUR1. Angine de Poitrine, Vol.II

While the big three of Drake, Justin Bieber and The Weeknd continue their stronghold on the cultural zeitgeist, a deeper look into the country’s music scene offers a treasure trove of enduring talent. The modern Canadian music landscape is as thriving as ever, with creatives who actively push the envelope. The True North has never had a deeper bench.

As we cross the halfway point of the year here are Complex Canada‘s selections for the 10 best albums of 2026, so far.

10. RUSSELL!, FLOWERS

Label: Public Records/Fontana North

Release date: March 26, 2026

Brampton talent RUSSELL! has been experiencing a career renaissance. While some artists experience a second spark from an old song going viral, RUSSELL!’s TikTok success spawns from sharing war stories from his D-Pryde days, navigating the music industry as a budding young man. The R&B artist capitalizes on another moment in the sun with FLOWERS, a sun-soaked project that promises to soundtrack a Toronto 2026 summer. Its lead single, “DIRTY VANS,” doubles down on this notion, holding the distinct privilege of featuring the first Toronto Tempo mention in music history (“I’m 5’6 but the girl I’m with lookin’ like she play for Toronto Tempo”).

9. TRAPMAT SAVIOR & Nicholas Craven, Scottie Trippin

Label: KNOCKOUT MGMT/Nicholas Craven Productions

Release date: February 20, 2026

Nicholas Craven has been on a legendary run. The Hull, Quebec-born producer, popular for his signature sparse sound, has become something of an underground king, supplying fringe favourites such as Westside Gunn, Roc Marciano and Navy Blue with some of their most enduring production. Craven is never one to forget his roots, bringing it home to play Phil Jackson to Montreal’s TRAPMAT SAVIOR on Scottie Trippin. SAVIOR offers a clinic in All-Star level s**t talking, with a flow as smooth as the album’s namesake was across six NBA championships.

8. Chxrry – U, Me & My Ego

Label: XO/Republic

Release date: May 29, 2026

A longtime fixture of The Weeknd’s XO Records, Chxrry at long last unleashes her debut full-length studio album, U, Me & My Ego, onto the world. The title speaks for itself, a boisterous, braggadocio-filled ride into Chxrry’s world, exhibiting more range and personality than ever before. “Bottles & Lights” featuring Mariah the Scientist highlights that the Scarborough songstress can hold her own against current R&B hitmakers, with a certain hypnotic airiness to her voice that is reminiscent of a mid-2000s Cassie. Where her previous EPs felt like a soft opening, U, Me & My Ego is a grand entrance that kicks down the door with cheeky lyricism and the promise of hitmaking potential.

7. Baby Nova, Shhugar

Label: Artist Parter Group

Release date: January 16, 2026

After finishing the year strong with “Too Pretty for Buffalo” ranking in many year-end lists, including Apple Music’s Best Songs of 2025, Halifax’s Baby Nova continues her rising momentum into the new year with the release of her debut album, Shhugar, in January. Her influences are worn proudly on her sleeve, with a certain Old Hollywood-esque sultriness and delightfully dark lyricism rightfully drawing comparisons to Lana Del Rey. Buy your stock early in Baby Nova, who offers the potential to be the Maritimes’ biggest popstar since Sarah McLachlan.

6. Drake, ICEMAN

Label: OVO/Republic

Release date: May 15, 2026

We’ve never heard Drake with so much on his mind. General Aubrey Graham returns from his war of 2024, with battles against Kendrick Lamar, Rick Ross, Metro Boomin and even is own label, UMG, leaving him with more than just a proverbial “chink in my armour,” as he described the outcome of his 2018 beef with Pusha T.

The aftermath of a combative time in his career finds us with an artist stripped of his usual untouchable, Teflon quality, a battle-tested artist who arose on the other side angrier than we’ve ever seen. This sense of urgency results in Drake’s strongest rap outing since 2018’s Scorpion. Hard-hitters like “Make Them Pay” and “Make Them Cry” scratch any rap purits’ itch, while “Janice STFU” and “Shabang” continue Graham’s run as one of the generation’s most bankable hitmakers.

5. Charlotte Day Wilson, Patchwork

Label: Stone Woman Music

Release date: February 6, 2026

Charlotte Day Wilson’s assessment of her third album, Patchwork, as “back to my roots sonically and musically” is apt. The self-produced project is a return to the sounds that made us first fall in love with the Toronto talent, tender and vulnerable, while bearing a moodiness reminiscent of a damp Ontarian winter.

“Been so long, the feeling is gone, I can’t wait to get it back,” she sings on “If Only,” a romantic sentiment that doubles as a metaphor to her own creative spark. Wilson navigates the perils of heartbreak and healing, with a certain sensitivity that makes the heaviness of moving on seem weightless.

4. Aquakulture, 1783

Label: Next Door Records
Release date: February 6, 2026

Aquakulture’s Polaris Music Prize-longlisted fourth studio album is a high-concept exploration into the history of Black Nova Scotia. Through a blend of R&B, rock and neo-soul, the musician born Lance Sampson builds a better understanding of his own ancestors through powerful songs from their perspectives.

“I wanted to create something that honours a lot of the work that African Nova Scotian, Black loyalists, Black refugees, Maroons did for me to be here today, for us to be here today,” Sampson,” Aquakulture shared in an interview with The Globe and Mail.

The result is a sonically rich tapestry, giving voice to long-overshadowed generations through a celebration of resilience.

3. Jessie Reyez, A LITTLE VENGEANCE

Label: FMLY/Island

Release date: June 12, 2026

“I’ve been blessed in this life in every aspect but love, since that’s all I’ve wanted, this shit’s like swimmin’ in mud” Jessie Reyez croons on “EVERYBODY CRIES SOMETIMES.” The Reyez we encounter on A LITTLE VENGEANCE feels deeply reminiscent of the early artist we met on her 2017 debut EP, Kiddo. Reyez is still the same sharp-tongued, quick-witted artist with a singular approach on capturing heartbreak and toxicity. In the near-decade since her stepping onto the scene, we now find an artist with the life experience to navigate these same emotions, and the industry stature to take her vision to the next level via elite producers and guest appearances (though day one collaborator Tim Suby remains a fixture throughout the project).

2. Drake, MAID OF HONOUR

Label: OVO/Republic

Release date: May 15, 2026

With a near-three-year gap between studio albums, fans expected Drake’s Iceman and its rollout to be notably monumental. What no one saw coming was the surprise release of two additional albums: HABIBTI and MAID OF HONOUR. The latter is particularly an earworn, building off of the house-inspired sounds of 2022’s Honestly, Nevermindfor a sluttier, more experimental foray into the dance space (the Freudian dilemma of his mother serving as its cover star is not lost upon us). Drake has built a reputation as a dependable supplier for song of the summer across his career. On MAID OF HONOUR, the OVO head supplies 14 worthy contenders for summer 2026. Bonus points for staying true to home, with the Canadian spelling of “HONOUR.”

1. Angine de Poitrine, Vol.II

Label: Self-released

Release date: April 3, 2026

In a world of AI slop, an anonymous alien duo from Saguenay–Lac-Saint-Jean, Quebec come to the rescue. Viral success via a KEXP performance propelled math rockers Angine de Poitrine into the spotlight. However, the pair thrive far past the gimmick of their papier-mâché, polka-dotted outfits, with a profound technical talent—particularly via member Khn de Poitrine’s double-necked, microtonal bass/guitar hybrid—giving agency for this unapologetically original twosome. The dynamic and irregular time signatures of math rock lend themselves for these two aliens to ironically create a deeply human listening experience, with quirks and charm that an algorithm could never possibly achieve. It’s clear we are experiencing another addition to the Primus and King Gizzard & the Lizard Wizard lineage, achieving an irresistible amount of grooviness despite their jarring execution.

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